RIT Press celebrating 20th anniversary

COURTESY OF ROCHESTER INSTITUTE OF TECHNOLOGY

Expanded partnerships and community-related projects are giving RIT Press new momentum as it enters its third decade. 

RIT Press, part of RIT Libraries and a member of the American Association of University Presses, also increased distribution of its catalogue of more than 125 titles through sales representatives covering both coasts and the Midwest, as well as Europe and Asia.  

“The AUP, numbering more than 130, views itself as the most significant outlet for works destined to attract smaller-sized audiences by virtue of the specialized and focused content of the books published,” said Bruce Austin, RIT Press director since 2014. 

Bruce Austin.

From its early years, the press has embraced diverse audiences by broadening its editorial scope, Austin noted. Collaborations with scholars from Rochester Institute of Technology or other universities led to a growing number of book series published by RIT Press. New proposals in discussion cover film history and technology, craft and social action, and subjects related to the American Arts and Crafts movement in the early 20th century. 

“It’s a great way to bring in new titles of quality, and it enhances our relationship with faculty at RIT and at other universities,” Austin said. “Although fiction, poetry and children’s books are outside of our editorial scope, the book series’ and their editors broaden our editorial and audience reach.” 

A working relationship with Rochester Public Library led to the exhibition book “Crafting Democracy,” edited by RIT professors Hinda Mandell and Juilee Decker. The library also hosts RIT Press authors for book discussions and lectures on topics of local interest. 

RIT Press’ partnership with the Memorial Art Gallery produced four exhibition books, including “Up Against the Wall: Art, Activism and the AIDS Poster” with the University of Rochester’s River Campus Libraries’ Department of Rare Books, Special Collections and Preservation. 

“The RIT Press finds multiple ways to connect with communities, including academics and scholars, trade audiences, niche reader markets,” Austin said. “We publish books and we connect through conferences and symposia, workshops and individual consultations. In some instances, we act as distributor for work published previously — for instance, Aldous Huxley’s “Words and Their Meanings” — or by others, such as the New York State Museum’s ‘Art for the People.’” 

RIT Press is a regular contender for national awards for content and design. Most recently, “Late Harvest” by Forest McMullin won the Silver Award in the book/fine art category at the Arts & Sciences Prix de la Photographie Paris. Emeritus Professor Richard Lynn Shearman’s “Finding Our Place in Nature: Aristotle for Environmental Scientists” was a finalist for the Prose Award in the environmental science category. 

“The works we publish and what readers hold in their hands are as instructive as they are aesthetically beautiful,” said Molly Cort, RIT Press managing editor. 

Molly Cort.

“Up Against the Wall” includes images selected from a collection of 8,000 posters to highlight specific themes within the exhibit. Lead designer Marnie Soom worked with the editors to present an overview of the subject matter. 

“This was a challenge for the layout and the design solution,” Cort said. “Our graphic design standards are high and we are proud of that.” 

Soom is the resident historian and staff member who bridges the early days of the press to its current operation. Her connection started in 2002 as a graduate student working in the Cary Graphic Arts Collection. Then-Cary curator David Pankow and now-associate curator Amelia Hugill-Fontanel founded the Cary Graphic Arts Press in 2001. Soom’s work included tasks for the new press and she was brought on as a full-time staff member in 2005. 

“It's been amazing to be a part of the RIT Press as it grew from one person at a desk in a workroom to a staff of four and our own facility,” Soom said. “We have broadened our scope from graphic arts-related titles to many other subjects, but our main mission has never changed. I love the process of working together to bring the author's idea to life in the best way.” 

Marnie Soom.

The Cary Graphic Arts Press published works on graphic communications processes, printing history and bookmaking. In 2007, it created the RIT Press imprint for content showcasing the university’s other strengths in applied science and technology, deaf studies and liberal arts. That same year, RIT Press moved outside of the Cary Collection and into the Alexander S. Lawson Publishing Center on the second floor of Wallace Library. The staff grew to include Austin, Cort, and business manager Laura DiPonzio Heise.  

Laura DiPonzio Heise.

Renovations associated with construction of the Student Hall for Exploration and Development will reconfigure Wallace Library and create access points into the new building. The new traffic pattern flowing between the library and SHED will lend RIT Press greater visibility to the community. Austin and Cort look forward to the potential synergy the location could create. 

“As RIT continues to grow with new faculty and academic degrees, it gives RIT Press an opportunity to expand our title listing and professional publishing counsel to the scholarly community,” Cort said. “Our knowledge and experience can benefit anyone who asks about publishing.”